Concert Review: The Defense of the New

Sir Simon Rattle conducts the Philadelphia Orchestra.
by Paul J. Pelkonen

Soprano Barbara Hannigan as the Police Chief from Ligeti's Le Grand Macabre.
Image from BarbaraHannigan.com.

Some composers still need an advocate. Today's audiences are filled with skeptics, put off by the idea of atonal music and names like Berg, Webern and Ligeti. On Friday night at Carnegie Hall, the Philadelphia Orchestra returned to Carnegie Hall under the baton of Sir Simon Rattle, the current music director of the Berlin Philharmonic. This program cemented Sir Simon's reputation as a fearless advocate for these new sounds, interpreted through the rich, velvety texture of this top-flight ensemble.

Concert Review: The Return of the Dazzler

Yuja Wang in recital at Carnegie Hall.
by Paul J. Pelkonen

Yuja Wang. Photo by Xavier Antoinet.
Image © 2013 YujaWang.com.

In the course of this young decade, the pianist Yuja Wang has emerged as one of the most galvanizing artists of the keyboard appearing on concert stages. Her rock-solid virtuosity, brave repertory decisions and habit of playing recitals in a minimal black dress and a dazzling pair of heels have made her a piano celebrity, the kind that comes along once in a generation.

White Smoke Over Huntington Avenue

Andris Nelsons to take over Boston Symphony Orchestra.
by Paul J. Pelkonen

Andris Nelsons is the new Music Director at the Boston Symphony Orchestra.
Photo by Stu Rosner © 2011 Boston Symphony Orchestra.

There's a new sheriff in Boston.

The board of the Boston Symphony Orchestra announced today that Andris Nelsons will be the ensemble's new Music Director, filling a vacancy at one of America's "big five" orchestras. The post has been empty since James Levine's resignation in 2011.

The Superconductor Untitled Awards

The Five Best Performances* at the Metropolitan Opera...this season.
(*that I saw and wrote about.)
by Paul J. Pelkonen

Our award trophy. Well, it's really a big, weird abstract sculpture
(Untitled, by Mary Callery) in the Metropolitan Opera House.

We are at mid-May and as I start getting ready to work on next season's Metropolitan Opera coverage, it's time to wrap up 2012-2013 at the big house. Here are the five best shows I attended in a very long opera season. I've done this before, but this year, the winners get to print out this article with a nice digital blow-up of the Untitled sculpture located over the proscenium in the Sybil Harrington Auditorium. (Shipping, handling and sculpture not included.)

Before you ask, I couldn't get a ticket for Dialogues of the Carmelites. I heard it was great.

Since this year's schedule was heavily loaded toward Wagner and Verdi, (with five operas by one and seven by the other) it's not surprising to see that three of this year's top five are in fact, Verdi operas. Other honorable mentions this season include Pretty Yende in Le Comte Ory, Lyudmila Montyrska in Aida and the Metropolitan Opera Orchestra in pretty much anything they played, but especially in Parsifal, Götterdämmerung and The Tempest.

And the winners are....